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Snare Drum

• Shure SM57 (top) — standard go-to worldwide
• Optional: Shure Beta 57A or Audix i5
• Optional bottom snare mic: another SM57

Toms

• Sennheiser e604 clip-on mics (common choice)
• Alternatives: Shure Beta 56A, Audix D2/D4 depending on tom size

Hi-Hat

• Shure SM81 small diaphragm condenser
• Alternatives: AKG C451B, Neumann KM184 (high-end)

Overheads (Stereo Pair)

• Shure KSM137 or AKG C414 (condenser mics)
• Alternatives: Røde NT5, Audio-Technica AT4051

Ride Cymbal (optional for more definition)

• Shure SM81 or AKG C451B

• Speakers (2x powered tops, 12” or 15”)
• Clear coverage for up to ~100 guests
• Compact Mixer (6–8 channel)
• Enough inputs for vocals, instruments, and playback
• Microphones (2–3 wired vocal/instrument mics)
• Standard dynamic vocal mics + DI box for acoustic guitar/keys if needed
• Microphone Stands (boom + straight)
• Adjustable for vocalists and instruments
• Cables & Power Distribution
• All necessary XLR, instrument cables, and extension cords
• Audio Engineer (on-site)
• Handles setup, soundcheck, mixing during performance, and teardown
• Basic Wash Lighting (4–6 LED wash lights on stands)
• Soft stage lighting to illuminate performers

Front of House (FOH) – Audience Sound

• 2x) RCF SUB 8008-AS Professional 4400W Powered Dual 18" Subwoofer
• (6x) RCF HDL6-A 1400W 2-Way Powered Line Array Module
• 32 Channel Allen and Heath mixer with Dante and Stage box
• 2 RCF Speakers direct monitors for stage
• All XLR cabling and Di boxes included
• Sound engineer for the entirety of the eventset up and delivery.